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		<title>Music Video</title>
				
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		<pubDate>Tue, 08 Dec 2020 09:18:12 +0000</pubDate>

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		<title>Commissioned Works</title>
				
		<link>https://furioganz.com/Commissioned-Works</link>

		<pubDate>Tue, 08 Dec 2020 09:18:15 +0000</pubDate>

		<dc:creator>furioganz</dc:creator>

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		<title>Fashion Videos</title>
				
		<link>https://furioganz.com/Fashion-Videos</link>

		<pubDate>Sun, 14 Nov 2021 10:55:13 +0000</pubDate>

		<dc:creator>furioganz</dc:creator>

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&#60;img width="1224" height="678" width_o="1224" height_o="678" data-src="https://freight.cargo.site/t/original/i/88a54d6689d25889c9426be807e7bf9e7d227bb6163c0cd5271b748ea95dc8fb/thumb-joby.png" data-mid="205316523" border="0" alt="A New Destination - Noumeno Concept A/W22" data-caption="A New Destination - Noumeno Concept A/W22" src="https://freight.cargo.site/w/1000/i/88a54d6689d25889c9426be807e7bf9e7d227bb6163c0cd5271b748ea95dc8fb/thumb-joby.png" /&#62;
&#60;img width="1224" height="678" width_o="1224" height_o="678" data-src="https://freight.cargo.site/t/original/i/2f5846c0a0783422c8848998994c60d89012252e0169430a272efd28c28f114b/the-glare.jpg" data-mid="127666625" border="0" alt="The Glare" data-caption="The Glare" src="https://freight.cargo.site/w/1000/i/2f5846c0a0783422c8848998994c60d89012252e0169430a272efd28c28f114b/the-glare.jpg" /&#62;
&#60;img width="1224" height="678" width_o="1224" height_o="678" data-src="https://freight.cargo.site/t/original/i/a8c9ad5dc57f1df6a1e1b50b5ed4edc4cbccf97bb338ef41a67909a5ccc0f015/miaoran.jpg" data-mid="127666616" border="0" alt="Miaoran SS21" data-caption="Miaoran SS21" src="https://freight.cargo.site/w/1000/i/a8c9ad5dc57f1df6a1e1b50b5ed4edc4cbccf97bb338ef41a67909a5ccc0f015/miaoran.jpg" /&#62;
&#60;img width="1224" height="678" width_o="1224" height_o="678" data-src="https://freight.cargo.site/t/original/i/a919ae197a359e75366e8fa867a73516e51db22e283a2d94a494f36a5032c43b/CP-piccola.jpg" data-mid="127666614" border="0" alt="Christian Pellizzari SS21" data-caption="Christian Pellizzari SS21" src="https://freight.cargo.site/w/1000/i/a919ae197a359e75366e8fa867a73516e51db22e283a2d94a494f36a5032c43b/CP-piccola.jpg" /&#62;
&#60;img width="1224" height="678" width_o="1224" height_o="678" data-src="https://freight.cargo.site/t/original/i/833db882a422c7f8f6f306abe0a78dd1d6850974740425f6091fcc50cf00db05/nouaw21.jpg" data-mid="127666589" border="0" alt="Noumeno Concept AW21" data-caption="Noumeno Concept AW21" src="https://freight.cargo.site/w/1000/i/833db882a422c7f8f6f306abe0a78dd1d6850974740425f6091fcc50cf00db05/nouaw21.jpg" /&#62;
&#60;img width="1224" height="678" width_o="1224" height_o="678" data-src="https://freight.cargo.site/t/original/i/f0e5a1676ddea51fd2adaecf8cdab5d15598788569cfcb832b324b1bc2a10c38/iuav-21.jpg" data-mid="127666630" border="0" alt="Fashion at IUAV 2021" data-caption="Fashion at IUAV 2021" src="https://freight.cargo.site/w/1000/i/f0e5a1676ddea51fd2adaecf8cdab5d15598788569cfcb832b324b1bc2a10c38/iuav-21.jpg" /&#62;




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		<title>Live Shows</title>
				
		<link>https://furioganz.com/Live-Shows-1</link>

		<pubDate>Mon, 07 Dec 2020 16:28:29 +0000</pubDate>

		<dc:creator>furioganz</dc:creator>

		<guid isPermaLink="true">https://furioganz.com/Live-Shows-1</guid>

		<description>&#38;nbsp;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/bd9d0628c45fcbb5a59926b4f370abf592ebbbb74aaafa8c24ba0d07bf216489/2.jpg" data-mid="127382074" border="0" alt="Slowly Fading - Yakamoto Kotzuga" data-caption="Slowly Fading - Yakamoto Kotzuga" src="https://freight.cargo.site/w/889/i/bd9d0628c45fcbb5a59926b4f370abf592ebbbb74aaafa8c24ba0d07bf216489/2.jpg" /&#62;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/82900a082294f223db0bfd9c356e4a61bccfab61f986b139152ebe5107ea33f7/4.jpg" data-mid="127382072" border="0" alt="Fango - Live Band" data-caption="Fango - Live Band" src="https://freight.cargo.site/w/889/i/82900a082294f223db0bfd9c356e4a61bccfab61f986b139152ebe5107ea33f7/4.jpg" /&#62;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/7c07683296f0849660d187c1ce77e011f5e3b3d9c253db4d34d0c16e340dc0b5/orfeo-thumb2.jpg" data-mid="204813123" border="0" alt="L'Orfeo - Staatstheater Hannover" data-caption="L'Orfeo - Staatstheater Hannover" src="https://freight.cargo.site/w/889/i/7c07683296f0849660d187c1ce77e011f5e3b3d9c253db4d34d0c16e340dc0b5/orfeo-thumb2.jpg" /&#62;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/9100b2866c7587bc0396ba43f26b3abfecf7064c4de811bb2da7d71b1563ecb5/1.jpg" data-mid="127382102" border="0" alt="Azulejos - Populous" data-caption="Azulejos - Populous" src="https://freight.cargo.site/w/889/i/9100b2866c7587bc0396ba43f26b3abfecf7064c4de811bb2da7d71b1563ecb5/1.jpg" /&#62;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/7d6b29ad30a0b347751c68a767fb419b02366989c76536acd2306e227791cc60/requiem.jpg" data-mid="127379646" border="0" alt="Requiem for a New World - Zad Moultaka" data-caption="Requiem for a New World - Zad Moultaka" src="https://freight.cargo.site/w/889/i/7d6b29ad30a0b347751c68a767fb419b02366989c76536acd2306e227791cc60/requiem.jpg" /&#62;




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		<title>Personal Projects</title>
				
		<link>https://furioganz.com/Personal-Projects</link>

		<pubDate>Mon, 07 Dec 2020 13:26:57 +0000</pubDate>

		<dc:creator>furioganz</dc:creator>

		<guid isPermaLink="true">https://furioganz.com/Personal-Projects</guid>

		<description>
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ae4ad3325389d91341e6bdcb904e6d5904c2d1930ab606e0bcdaaaf264e0e58a/_2.jpg" data-mid="241887910" border="0" alt="in its bones" data-caption="in its bones" src="https://freight.cargo.site/w/1000/i/ae4ad3325389d91341e6bdcb904e6d5904c2d1930ab606e0bcdaaaf264e0e58a/_2.jpg" /&#62;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/1a061b3750f2995b971213add7a05078359ddaea878d544b623b4cf182273923/thumn-stolen-stones.jpg" data-mid="133462667" border="0" alt="Stolen Stones" data-caption="Stolen Stones" src="https://freight.cargo.site/w/889/i/1a061b3750f2995b971213add7a05078359ddaea878d544b623b4cf182273923/thumn-stolen-stones.jpg" /&#62;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/56cec431d2f9c8b12558cf6839ce974908d274aee6c48d5b7f321a457fa2ae10/1parking-paradise.jpg" data-mid="91318355" border="0" alt="Parking Paradise" data-caption="Parking Paradise" src="https://freight.cargo.site/w/889/i/56cec431d2f9c8b12558cf6839ce974908d274aee6c48d5b7f321a457fa2ae10/1parking-paradise.jpg" /&#62;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/ff3be099bdc0b3a4db87a3cdda8546539cb0bf99703b7087854fa6226526476a/2villaco.jpg" data-mid="91318357" border="0" alt="Villaco" data-caption="Villaco" src="https://freight.cargo.site/w/889/i/ff3be099bdc0b3a4db87a3cdda8546539cb0bf99703b7087854fa6226526476a/2villaco.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c9faa53a550130d2a4b24c45de37efa79caf08b108d1826b327b20be3c1335e4/3to-the-last.jpg" data-mid="91318359" border="0" alt="To The Last" data-caption="To The Last" src="https://freight.cargo.site/w/1000/i/c9faa53a550130d2a4b24c45de37efa79caf08b108d1826b327b20be3c1335e4/3to-the-last.jpg" /&#62;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/b3c9817434d25c7414e885fd814f465c9dac1f773b34fdf7413aa3921f676f72/4ramses-II.jpg" data-mid="91318362" border="0" alt="Ramses II" data-caption="Ramses II" src="https://freight.cargo.site/w/889/i/b3c9817434d25c7414e885fd814f465c9dac1f773b34fdf7413aa3921f676f72/4ramses-II.jpg" /&#62;
&#60;img width="889" height="500" width_o="889" height_o="500" data-src="https://freight.cargo.site/t/original/i/67ffbbb4c9206fc56258f7d1ea3bd9731ba8a307e4580ec64bccb883aa666a60/3143Q.jpg" data-mid="127666746" border="0" alt="3143/Q" data-caption="3143/Q" src="https://freight.cargo.site/w/889/i/67ffbbb4c9206fc56258f7d1ea3bd9731ba8a307e4580ec64bccb883aa666a60/3143Q.jpg" /&#62;




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	<item>
		<title>Parking Paradise</title>
				
		<link>https://furioganz.com/Parking-Paradise</link>

		<pubDate>Mon, 07 Dec 2020 15:36:31 +0000</pubDate>

		<dc:creator>furioganz</dc:creator>

		<guid isPermaLink="true">https://furioganz.com/Parking-Paradise</guid>

		<description>
	
	

	
Parking Paradise (23'25")video Furio Ganz music Yakamoto Kotzuga a Foreverdata production© 2019
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; May 2020: selection and screenign at OIFF film festival&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; June 2020: selection and screenign at Golden Ger international film festival&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; July 2020: selection and screening at Lago film fest
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; December 2020: winner of The Next Generation film festival - Film d’artista
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  September 2021: screening at Ibrida Film Festival
Parking Paradise wants to be a testimony of the relationship between man and today's environment, with the perception of his precariousness. A slow and neutral vision that shows hybrid life in human settlements: cities.The video is the result of a journey made through the city of Berlin.&#38;nbsp;The purpose of the crossing was to observe how the human being, the animals, the architectural elements, the cars, the printed graphics went to inhabit and define the space with their presence.&#38;nbsp;With an almost documentary approach, I wanted to capture the random and perhaps unrepeatable associations between these subjects by creating a dialogue between two or more plans in the same frame.I tried to film each living and non-living subject with an impartial approach in order to collocate them on the same scale of importance.&#38;nbsp;The editing sessions took place in my studio in Venice and took place parallel to the realization of the sound. The music and sound was created by my friend and collaborator Yakamoto Kotzuga, who I involved in the project from the first days of shooting.  




	


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	<item>
		<title>in its bones</title>
				
		<link>https://furioganz.com/in-its-bones</link>

		<pubDate>Wed, 17 Dec 2025 10:14:24 +0000</pubDate>

		<dc:creator>furioganz</dc:creator>

		<guid isPermaLink="true">https://furioganz.com/in-its-bones</guid>

		<description>
	
	

	
in its bones (02'02")video Furio Ganz 
text Giuliano Tarlaomusic Yakamoto Kotzuga voice Laure Claire
translation Emma Grace© 2025
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; April 2025: presented by Cinema Flux - where is the film? at Ex Cinema Garibaldi -Venezia, now Coop supermarket&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
In 2012, during a storm surge, I lost a video camera in the waters of the lagoon. It remained switched on, continuing to record the submerged landscape until I found it again shortly afterward.I thought of that recording as a suspended file, lost at sea, carried by the current, occasionally resurfacing.I reflected on how tides collect, move, and deposit everything they encounter.Over the years, I have reused that material in various projects. Now I present it here again, in a new form.
Voiceover:It happens along a stretch of coast, where the tides and the salt had corroded 5 boulders. Underwater, it was said that salty mosses could have taken you even from a long distance. They used to move slowly, reaching any presence, human or nonhuman.
-I kept on coming back
-How was it?
-When I saw him, he was already part of them.
-What have they seen?
-They haven't seen or heard.
-Neither sound nor trace?
-The lagoon had suffocated them
-The lagoon had eaten.
-Are they now in the lagoon's mouth?
-They are in the same place as us
-Where?
-The lagoon eats with a full mouth and keeps everything for itself.
-How?
-It eats without dismembering, it flows inside without permeating
-In its bones, its smell, a fragment of the sun.
-The lagoon possesses and doesn't hold back
-Therefore, the light crosses with no memory
-What comes back, comes back with no name.
-The lagoon finds what the past swallows
-Doesn't give back without knowing
-Does the lagoon give in?
-The lagoon believes
-It erases the trail, which is unnecessary for them to appear again.
-Why do you keep on coming back?
-I come back without memory
-I go without searching
-Down there, something still moves.

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0bdb0bf722d9e156dc3ca26308afd00437cba06ccce7eab7ddb92fd6de0aab3c/C2405.00_00_03_15.Immagine001.jpg" data-mid="241888116" border="0"  src="https://freight.cargo.site/w/1000/i/0bdb0bf722d9e156dc3ca26308afd00437cba06ccce7eab7ddb92fd6de0aab3c/C2405.00_00_03_15.Immagine001.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/407f84618c768872bdf54e252270a69e4096390778d37524b6745ab4f0def874/C2405.00_09_55_14.Immagine005.jpg" data-mid="241888119" border="0"  src="https://freight.cargo.site/w/1000/i/407f84618c768872bdf54e252270a69e4096390778d37524b6745ab4f0def874/C2405.00_09_55_14.Immagine005.jpg" /&#62;




	


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	<item>
		<title>Stolen Stones</title>
				
		<link>https://furioganz.com/Stolen-Stones</link>

		<pubDate>Mon, 14 Feb 2022 08:37:07 +0000</pubDate>

		<dc:creator>furioganz</dc:creator>

		<guid isPermaLink="true">https://furioganz.com/Stolen-Stones</guid>

		<description>
	
	

	
Stolen Stones (04'02")video Furio Ganz music Yakamoto Kotzuga voice Lauren Clare
graphic design and printing Camilla Rigo Langé
text Giuliano Tarlao© 2022
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; February 2022: on show Spazio Punch - BelMondo&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

I visited the archaeological area of Pompeii, imagining an imminent volcanic eruption from Vesuvius. 
I wanted to film the ancient city before this imaginary catastrophic event happened, with the aim of shooting material that gave a sense of the everyday life of the place. 
I explored the city together with other tourists, crossing with them what remained of the settlement.
It was while observing some of them posing for the ritual souvenir photograph that I noticed how the elements for securing the architecture, together with abandoned personal objects, were now part of what was once the buried city. I worked out the idea that led me there, to the catastrophic point of a lava eruption that, at that very moment, would have incorporated the stones that are over two thousand years old together with the plastic and lithium knowingly or unknowingly lost today.
Before leaving the city, I collected six of these objects, taking them away from the Archaeological Park, challenging the curse of Pompeii which, according to legend, was haunting with a fate of bad luck those who stole relics of the ancient city. 
In the small museum of the Archaeological Park I read letters sent by some stone thieves who after the theft were convinced that they had been hit by the curse and hoping to avert the sentence they promptly returned the stolen souvenirs, attaching brief notes on the tragic events related to the event.&#38;nbsp;«Since taking the stones my friend’s father died suddenly and unexpectedly, another friend, another friend’s Grandmother died (although she was quite old), my neighbor’s dog died and although he was aging, he was fine when we left for our vacation. There was a military coup in Turkey the day before we were supposed to visit, there were several horrid terrorist attacks across Europe&#38;nbsp;(…)»*
 *taken from one of the letters preserved in the museum of the archaeological park of Pompeii. In Stolen Stones the letter is read in its entirety and outlines the narration of the video. 


	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/700e81aebc4455f9ed8435670d8470fd44cf265d7e62751d9a81ca5351c48ce3/BelMondo-Vista-Alto.jpg" data-mid="148042602" border="0"  src="https://freight.cargo.site/w/1000/i/700e81aebc4455f9ed8435670d8470fd44cf265d7e62751d9a81ca5351c48ce3/BelMondo-Vista-Alto.jpg" /&#62;
	
	&#60;img width="2969" height="3959" width_o="2969" height_o="3959" data-src="https://freight.cargo.site/t/original/i/cf35f764519dd17f5603a10f020dcb8f451eb3287af4118610bc9ba8c08ee077/Furio-Ganz-Stolen-Stones--2022---Vista-.jpg" data-mid="148042611" border="0"  src="https://freight.cargo.site/w/1000/i/cf35f764519dd17f5603a10f020dcb8f451eb3287af4118610bc9ba8c08ee077/Furio-Ganz-Stolen-Stones--2022---Vista-.jpg" /&#62;
	

	Installation view at BelMondo - Spazio Punch, curated by Augusto Maurandi and Giulia Morucchio, set-up by Zaven &#38;nbsp;© photo courtesy Spazio Punch

	

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	<item>
		<title>Villaco</title>
				
		<link>https://furioganz.com/Villaco</link>

		<pubDate>Mon, 07 Dec 2020 16:06:56 +0000</pubDate>

		<dc:creator>furioganz</dc:creator>

		<guid isPermaLink="true">https://furioganz.com/Villaco</guid>

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Villaco (video loop 6’20’’’, Video HD, Stereo Audio)installation video Furio Ganz and Matilde Sambomusic Yakamoto Kotzuga© 2015 – 2017

December 2017: presented at&#38;nbsp;ABCBA for Crudostudio&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; September 2020: presented at Acque Sconosciute - Cinema Galleggiante
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; for&#38;nbsp;Microclima (Venice)
The artifice emulates nature.Reality is perceived through filters that obfuscate our perception.By crossing passages, construction and constraints, we move away from places to reach other places. We try to get closer to the nature but every natural place hides artifices.




	 


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		<title>To The Last</title>
				
		<link>https://furioganz.com/To-The-Last</link>

		<pubDate>Mon, 07 Dec 2020 16:15:08 +0000</pubDate>

		<dc:creator>furioganz</dc:creator>

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To The Last (video loop 5’23’’’, Double Channel Video HD, Stereo Audio)installation video Furio Ganz and Matilde Sambo© 2016
December 2016: on show at Palazzo Mora for the&#38;nbsp;Venice International Performance Art Week

When the body is not enough it is compressed, banded pushed to the limit. When the limit is exceeded the body&#38;nbsp;reaches the break and the line between pain and pleasur&#38;nbsp;becomes perversion.




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